tlt cast

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LAUNCH TLT

the harmony of gesture

essence of TLT

technical rigor

The energy that a fisherman can produce and the other that a normal fishing rod can transmit is limited and we have nearly reached these limitations . At the point that any further step forward can only be measured by the centimeter. Therefore it does not seem to get a great distance (for what it's worth), the solution is to resort to ever more powerful equipment, but weighed down by heavy weights like today, but rather use (and preserve) a better one than that produced. A road that has never been taken into account by traditional techniques and which, on the contrary, TLT has embraced for over thirty years. Exploiting this principle, equivalent to an even better result using traditional tools and weights.

The two active moments of the cast

For TLT the cast is divided into two distinct phases called active moments of the cast.

1) acceleration;

2) pushing-momentum.

The latter corresponds to the space within which is impressed to the barrel the final sprint, where (and when) we apply the maximum energy. All the preceding movement is part of the acceleration. The pushing-momentum is therefore placed in the acceleration and is the culmination.

the loop

extreme tension

The TLT, first, intended to contrast to the traditional concept of barrel understood as a spring the one of reed considered as a lever, with repercussions for example towards speed and, therefore , also against the loop. Run the pushing-momentum with the barrel acting at 45 degrees, involves a closer loop. In fact, the more it brings forward the rod tip as you reduce the outset the two points at the origin of the loop amplitude. If the concentration of energy affects a small section of line – that is, if the loop is already tight at the start and at the same time the launch velocity is very high – it creates at the apex of the loop a kind of centralized hub of the energy. This has led to a new phenomenon: the loop abandons its rounded shape to take on another one, wedge.

lo shoot

modulation fluid

For conventional casting techniques the shoot plays no role, except the fact of being considered a reserve of tail, but this does not seem a task. But before that it is not clear what is meant by reserve queue. Spare tail to do what? It is amazing how the fly-traditional world is so little inclined to give jobs: does not possess them the dynamic of its cast, the line, and even the shoot. If the absence of specific tasks is not the equivalent of approximation, certainly is the equivalent of generic intents.

The TLT uses the shoot like never before: a maneuver capable of shaping tail and final, like the hands of a clay sculptor. The shoot, or rather its modulation, intended as the control of the flow of the tail, contributes to stretch its tail right into its fibers taking up together tension close to the artificial. But it can also make it sinuous as a snake or sticky as molasses sticking the final in tight coils like flypaper with flies. Or turn into a blade that decapitates the final, by folding it on itself in two, first ahead, then at the center or at any other point along its length. A pitcher who knows how to modulate the shoot can be treated as a piano player. Just as this last one it gets the result from the sensitivity with which he now touches or presses the keys of his instrument, the hands of the other are doing the same against the tail.

the origin of the casts

the totality of the dynamic expressions -

It is unrealistic to expect to solve the problems of fishing without an adequate number of specific casts. The TLT has a number able to cope with many different situations. Yet those same maneuvers, without an adequate support of the final, and before that without the contribution of a specific technique are almost never resolutive.

All launches are derived from a limited number of roots:

1) parallel

2) angulated

3) wavy

4) rotated

Each root has a specific dynamic on which depend its speed, the distance within which it can act and, more generally, his results.

The angled trajectory is the dynamic solution of almost all the problems of fishing, the one that provides the tools to build a wide range of presentations. The angled cast outlines the boundary that separates the maneuvers that concern on rotating lines, Wavy, etc., those who speak for Parallel lines. Divide also the dynamics at the highest technical content from the poorest. Finally, Angled launch is the barrier that separates the paths that you can finalize the needs of fishing from other. The beauty of the gesture combined with the technical rigor in the service of fisheries. A launch is not yet understood on many cases and debased by too many teachers in circulation. The Angolato is the launch base of the TLT. It 'an act of the highest technical level. You can not evaluate the success of this launch of a lawn. Only water, the flat surface, a judge can determine the result: a situation where the slightest error, a grain of sand, diviene one macigno. The first need to run this launch is being able to produce explosive speed: prerequisite for the necessary tension of the queue.

the miniaturization

harmonic motion of technical movements

The ability to perform the movements shown immediately above, also have own common denominator. The miniaturization of movements. The miniaturization of the movements is equivalent to a peak of efficiency. Consequently the launch TLT is the sum, of a peak of acceleration, summed to a peak of the reaction of the muscles (pushing-momentum), plus a speed peak , plus a peak of tensile force, plus a peak of power conservation, plus an apex of the loop (wedge loop). We can probably say that the launch TLT itself corresponds to a peak. At the maximum value of the cast.

the role of skill

sin ...

All the fishermen agree on the importance of skill. What is, so, the role that skill plays in traditional and launch it stand out as possibly? What to do to give the fruits that years and years of experience would? Unfortunately, these techniques do not allow room for imagination; There are fishermen able to guess from like a trout moves or place of hunting chosen, the type of presentation best suited to attack it. Unfortunately these good fishermen are forced to attack all these fish in the same way. Or to give up too many opportunities because their technique does not offer the appropriate tools. There are others who handle a rod with experience, but their ability is mortified by their technique. The launch is not a primitive instrument that emits a unique sound (the only trajectory parallel, or a little more), but an orchestra of a thousand shades. A reed is not a bottom of glass with flubby luminescences. It is a diamond. Explodes gloss. Emanates subtle iridescence. Too bad that these good pitchers are forced to use it in a monotone. Too bad that these brave fishermen and casters, each for their part, See their ability compromised by their throwing technique.

There is no doubt that we can draw equally even throwing in the traditional way. If you are satisfied, okay. But how many lost opportunities! How many satisfactions thrown to the wind! How much lost beauty! It's a pity!

The Launch TLT enhances the ability. At the same time, in its ruthless objectivity, is merciless to mediocrity. For the skill that is expressed with tails projected at high speed there are no targets nor limits, rather an uninterrupted series of peaks, each one more difficult than the other, and many others to discover and conquer. At the same time, the minds and souls of those who are not satisfied can finally ride the endless prairies of fantasy, the exciting emotions endless adventure.